Richardson has previously stated that her drawings are a “ a conceptual preposition, the presentation of the moment of being in space and time: a pulse that tends towards nothing and everything”. She also describes the work as a gestural act: “drawing is a point of touch, an action that marks the intangible physical reality of being in a moment and a suspension and presentation of this moment to the viewer.” The idea that the drawings are about gesture and touch, reminding us of the physicality of making, which reinforces the fact that all human made objects are in some ways frozen memories of their construction.
Extract from Drawing as Thin Sculpture by Gary Barker: see blog here